Die Weimarer Noteninventare von 1662 und ihre Bedeutung als Schütz-Quellen

Abstract

The music inventories of Weimar from 1662 were published for the first time in 1921 by Adolf Aber, in less than entirely accurate versions. Revised versions are presented here, and the entire repertoire is identified to the extent that this is possible. The share of works by Schütz is assessed.