Bemerkungen zur Schütz-Rezeption im 17. Jahrhundert am Beispiel der "Breslauer Varianten" der Auferstehungshistorie SWV 50

Abstract

Both the original manuscript copy of Schütz's Auferstehungshistorie (1623), as well as two versions combining original sections of SWV 50 with newly-composed sections or sections inspired by Schütz, and a newly-composed work in which Schütz's ideas are traceable only in general terms, reflect a living tradition of ecclesiastical music in Silesia. They also give evidence, however, of a gradual transformation of style and taste that made Schütz's Auferstehungshistorie seem obsolete and therefore in need of revision.