Bd. 15 (2020): Music in TV Series // Music and Humour in Film and Television

DOI: https://doi.org/10.59056/kbzf.2020.15

Veröffentlicht: 2023-08-12

Komplette Ausgabe

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Music in TV Series

• SIMPSONS, Inc. (?!) - A Very Short Fascicle on Music’s Dramaturgy and Use in Adult Animation Series

  Peter Motzkus

  65-114

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• Disenchantment of the Empire? Ideology, Narrative Structure, and Musical Tropes in the Opening Credits of HOUSE OF CARDS

  Martin Kutnowski

  5-25

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• »My Musical« Musikalisches Erzählen am Beispiel von SCRUBS

  Sebastian Stoppe

  26-64

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• SIMPSONS, Inc. (?!) - A Very Short Fascicle on Music’s Dramaturgy and Use in Adult Animation Series

  Peter Motzkus

  65-114

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• »Implicit« and »Treated« Music: experimentation and innovation in the documentary series LOST CITIES by José Nieto

  Vicente J. Ruiz Antón

  115-144

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• Atmosphären in der isländischen TV-Serie TRAPPED

  Jean Martin

  145-176

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Music and Humor in Film and Television

• Die Musik in »Mars Attacks!« Parodistische Dekonstruktion von Science-Fiction-Traditionen, Westlicher Kultur und politischem Denken im Kalten Krieg

  Frank Hentschel

  177-211

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• The pop music parody in US-American and German Late-Night Shows

  Clara-Franziska Petry

  212-235

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• The Joy of Illusions ‒ Martin Smolka’s Music for DIE PUPPE (THE DOLL) by Ernst Lubitsch (1919)

  Marin Reljić

  236-275

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Rezensionen

• Rezension zu: Richard H. Brown: Through the Looking Glass. John Cage and Avant-Garde Film

  Stefan Drees

  276-282

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• Rezension zu: George Rodosthenous (Ed.): The Disney Musical on Stage and Screen. Critical Approaches from ‘Snow White’ to Frozen Edited by George Rodosthenous

  Alba Montoya

  283-288

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• Rezension zu: Jim Lochner: The Music of Charlie Chaplin

  Jürg Stenzl

  289-294

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• Rezension zu: Meredith C. Ward: Static in the System. Noise and the Soundscape of American Cinema Culture

  Konstantin Jahn

  295-301

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